Saffir Simpson Scale Animation
Saffir Simpson Scale Animation. The main threat to life and property may be flooding from heavy rains. The entire feature rotates around a relatively calm center which is known as the eye of the hurricane.
The main threat to life and property may be flooding from heavy rains. Hypothetical data for use in screen interfaces. On the australian scale, george was considered a borderline category 4/category 5 storm.
Click The Image To See The Animation.
It shows the combined effect of the winds and the storm surge on buildings and trees in the hurricane's path. So a system that would rank hurricanes by wind force alone would not tell the whole tale. It shows the track and intensity of the storm with a colored path.
A Mature Hurricane Is Roughly Circular In Shape And May Be Hundreds Of Miles Across.
The entire feature rotates around a relatively calm center which is known as the eye of the hurricane. The scale provides examples of the Orange is hurricane 3 on the saffir simpson scale.
Category 1 And 2 Storms Are Still Dangerous, However, And Require Preventative.
A high percentage of framed homes will be destroyed. The scale was introduced to the general public in 1973, and saw widespread use after neil frank replaced simpson at the helm of the nhc in 1974. The joint typhoon warning center estimated that gusts are as strong as 200 knots/ 230.2 mph/370.4 kph.
• Roofs Damaged • Some Trees Damaged
This animation shows trmm's view of typhoon maemi. The main threat to life and property may be flooding from heavy rains. This animation shows hurricane charley from august 9, 2004 to august 15, 2004.
This Scale Does Not Take Into Account Other Potentially Deadly Hazards Such As Storm Surge, Rainfall Flooding, And Tornadoes.
There is no significant damage to buildings. National hurricane center website indicates that a category 5 hurricane/typhoon would cause catastrophic damage: Hurricane damage comes not only from wind, but also from rain, tornadoes, floods, and the effects of very low air pressure.
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